MELODIC MINOR SCALES SAXOPHONE FULL TONE OF

Melodic Minor Scales Saxophone Full Tone Of

Take the natural minor and raise the 6th and 7th degrees by a semitone. Melodic minor: Natural minor, but with a raised 6th and 7th. Take C natural minor, raise the Bb to a B natural and you've got C harmonic minor. Jazz scales often get compared to the.ex. A jazz scale is simply a scale that can be used over a piece of jazz music. So when you play this scale, you flatten the third of the major scale on the way up and return the third to it’s normal state on the way down, which is a much easier way of colouring a minor scale, especially for vocalists who find the full tone of the Harmonic Minor scale sometimes difficult.Previous lesson :: next lesson :: contents :: index :: manuscript paper :: comments or queries?Scales are used to create melodies and solos.

However, in the key of E, both C and D sharp are diatonic because both appear in the scale of E harmonic minor.We have more to say on this in the next lesson.Do not confuse chromatic notes with chromatic scales. In the key of C, D sharp will be a chromatic note. In this key, any other note will be chromatic.When examining the relationship between notes, the key is a vital element. Notes that are not part of these scales are said to be chromatic - those notes are chromatic notes.In the key of C the notes C, D, E flat, E, F, G, A flat, A, B flat and B are diatonic because they appear in one or more of the major, natural minor, melodic minor or harmonic minor scales. This applies to major and minor scales. The favourite passion of my soul.Thomas Jefferson (1743-1826) 3rd United States presidentThe Diatonic Scale :: The Chromatic Scale :: Harmonic Chromatic Scale :: Melodic Chromatic ScaleIntervals between notes that form the scale of a particular key are said to be diatonic.

There is no universal notation that remains unvaried as one moves from key to key. When chromatic notes are introduced, the sense of key is generally weakened.With the chromatic scale there is no widely used notational 'convention' and problems occur when chromatic scale progressions occur within pieces of music in different keys. What is important is that diatonic passages tend to have a sense of key about them. We will meet other symmetrical scales in lesson 25.The terms diatonic and chromatic can be extended to any groups of notes, musical phrases, scale passages, chords and harmonies as we shall find later. Some notes of a chromatic scale are chromatic to the key note (in this case the first note) while others are diatonic.

To find the remaining notes, the only clear rule is that no note name should be used more than twice in succession and that the first, fifth and eighth degrees can be repeated. The main notes are still drawn from all the notes of the major and both minor scales. In every case, the ascending and descending versions are different (for example, the rising scale might be written with naturals and sharps while the falling scale is written with naturals and flats) and they will vary according to whether the key is major or minor.